.is project dedicated to research in sound beyond the regularly accepted limits of human perception, field recordings of nature, human-made sounds, odd time signatures, algorhythms and various acoustical phenomena which can be translated into sound
vibrant | interchanges | sounds of autumn | little piece | drumwork | temporary emotions | piano | aether blueprints | interference | surrounded fog | cosucha
four tracks, each dealing with different phenomena. opening winter is an excerpt from live performance involving contact microphone plugged into reel-to-reel recorder. in vibrant sounds of water you hear layered resonances of various glass bowls filled with water playbacked at very slow pace and at different rates. ode for wooden piano consists of very quiet and subtle resonation of decaying time-transformed piano pitches not audible by ear. soaked trees is a study of grains and vivid sounds of bell
echoed on RE201, based around late winter recordings of melting snow, improvised instruments and late evenings of haze.
collection of field recordings across czech landscape. preserved areas, caves, forests in rain, early mornings and late nights
percusion, experimentation with time signatures and groove
.algorhythmic compositions for piano
.capturing the essence of interesting places with as little use of synthesis and regular waveforms as possible. further source material emanated from the experimentation of sound produces by static electricity, electromagnetic fields and underwater recordings with homemade hydrophones. sound produced beyond the regularly accepted limits of human perception.
collection of tracks based around cross rhytmhs patterns, moiré and polyrhythm structures applied to scaled-down fild recordings of abandoned places. experiments with real-world reverb time-scaling and atmospheric statics
composed & recorded during winter on old tesla b115 reel-to-reel
dust of tape recorders and sound of shredding tapes